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Cello Repertoire

Suggestions for middle school and high school students. Organized by difficulty, with notes on technical demands, period style, and accompaniment requirements.

On this page
Easy8 pieces Medium7 pieces Advanced9 pieces

For the beginning I suggest folk songs as in Cellocity, All for Strings or Suzuki book 1 and the Lee 40 Easy Studies. You may also consult the ASTA performance exam requirement levels — they are modeled on the British graded system.

The repertoire listed here assumes that the student has learned 4 positions. It leans heavily towards Baroque sonatas because, in my opinion, they are the best for learning the first four positions, relatively simple rhythms, and repetitive bowings. They have short movements and can easily be accompanied by the teacher playing the bass line of the piano part.

Easy Difficulty

8 pieces

Bela Bartók · 18 Duos

20th c.
Boosey and Hawkes
  • Duets that start with very basic skills, parts interchangeable
  • Great material to get students used to modern tonal language

J.B. Bréval · Sonata in C

Pre-classical
International — also in Suzuki book 4
  • Recommended as a first sonata
  • Almost entirely in first position but with chords and rhythmic challenges
  • Accompaniment Easy

B. Marcello · Sonata in E minor

Baroque
International — also in Suzuki book 4
  • Good first sonata for a rhythmically sound player
  • Start with the second movement
  • Accompaniment Easy — play bass line of the piano part on the cello

W. de Fesch · Sonata in D minor

Baroque
Schott
  • Good early sonata, rhythmically not easy
  • Four positions and harmonic A
  • Accompaniment Easy

P. Hindemith · Three Easy Pieces

20th c.
Schott
  • Written entirely in first position (last movement all in ½ position)
  • Hard to hear especially with piano, difficult rhythms and bow division challenges
  • Accompaniment Hard — duo writing

Boismortier · Sonata in D major

Baroque
Bärenreiter
  • Interesting variety of movements, some double stops
  • Typical Baroque bowing patterns
  • Accompaniment Easy

Lanzetti · Sonata in G major

Pre-classical
Schott
  • Good Pre-classical sonata for light and elegant tone
  • Accompaniment Easy

Vivaldi · Six Sonatas

Baroque
I prefer the Schott edition piano part — Suzuki book 5 has the E minor sonata
  • A minor and E minor are the best known. I like using the first in B-flat also
  • The last is a little more difficult than the earlier ones
  • Usual rhythmic patterns, staying through the movement, duplets/triplets/dotted rhythms
  • Accompaniment Easy

Medium Difficulty

7 pieces

Fauré · Sicilienne

19th c.
Transcription published by International
  • Good piece for learning shifts and smoothness
  • Uses 7 positions
  • Some sophistication in sound and vibrato necessary
  • Not long
  • Accompaniment Medium

Rick Mooney / Helga Winold · Thumb Position for Cello I / Cellocity 2nd part

Method
  • Easy short popular melodies in thumb on harmonic position

Telemann · Sonata in D major

Baroque
International
  • One of the nicest Baroque sonatas
  • Complicated rhythm and structure
  • Accompaniment Easy

Mendelssohn · Song Without Words

19th c.
Peters
  • Some thumb position
  • Mostly lyrical and not too difficult
  • Fairly long
  • Accompaniment Hard

Bréval · Concerto in G and D major

Pre-classical
Delrieu
  • Excellent first concerto, preparatory to Haydn
  • Goes into thumb on harmonic position
  • Many light and elegant bowings
  • Accompaniment Medium

Saint-Saëns · Allegro Appassionato

19th c.
International — Suzuki book 8
  • Virtuoso bowing techniques, also thumb position
  • For students who can handle rhythm well enough to use rubato
  • Accompaniment As duo

Bach · Suites for Solo Cello 1–3

Baroque
Many publications — Bärenreiter or Henle (Anna Magdalena Bach), Vandersall without bowings or fingerings
  • It is appropriate to start with the suites fairly early but selectively
  • Start with Gigue and Menuets, rather than Prelude
  • All in 4 positions, good for training memory!

Advanced Difficulty

9 pieces

Saint-Saëns · The Swan

19th c.
Various collections
  • An exercise in sound, long bows, vibrato
  • Includes thumb position
  • Accompaniment Medium

Fauré · Après un rêve

19th c.
International
  • Includes thumb position
  • Slow bows and vibrato
  • Accompaniment Easy

Fauré · Élégie

19th c.
International
  • All positions
  • Good lyrical playing and left hand facility necessary
  • Accompaniment Difficult

Sammartini · Sonata in G major

Pre-classical
International
  • Includes thumb position on harmonic
  • Short movements, rhythmic patterns repetitive
  • Accompaniment Easy

Eccles · Sonata in G minor

Baroque
Transcription published by International
  • Good sound necessary, all positions
  • Brush stroke in second movement, last movement difficult left hand patterns
  • Accompaniment Easy

Martinů · Variations on a Slovakian Theme

20th c.
Bärenreiter
  • Good introduction to 20th century
  • Rhythmically complicated, good ear training!
  • Accompaniment Difficult

Beethoven · Variations in G major

Classical
Henle
  • All positions, good classical training
  • Good pianist essential

Boccherini · Concertos in G and D

Pre-classical
Delrieu
  • Excellent for training high positions in elegant and light sound
  • Accompaniment Medium

Stamitz · Concerto in A major

Pre-classical
  • Also for good elegant classical sound, all over the cello
  • Accompaniment Medium
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