For the beginning I suggest folk songs as in Cellocity, All for Strings or Suzuki book 1 and the Lee 40 Easy Studies. You may also consult the ASTA performance exam requirement levels — they are modeled on the British graded system.
The repertoire listed here assumes that the student has learned 4 positions. It leans heavily towards Baroque sonatas because, in my opinion, they are the best for learning the first four positions, relatively simple rhythms, and repetitive bowings. They have short movements and can easily be accompanied by the teacher playing the bass line of the piano part.
Boosey and Hawkes
- Duets that start with very basic skills, parts interchangeable
- Great material to get students used to modern tonal language
International — also in Suzuki book 4
- Recommended as a first sonata
- Almost entirely in first position but with chords and rhythmic challenges
- Accompaniment Easy
International — also in Suzuki book 4
- Good first sonata for a rhythmically sound player
- Start with the second movement
- Accompaniment Easy — play bass line of the piano part on the cello
Schott
- Good early sonata, rhythmically not easy
- Four positions and harmonic A
- Accompaniment Easy
Schott
- Written entirely in first position (last movement all in ½ position)
- Hard to hear especially with piano, difficult rhythms and bow division challenges
- Accompaniment Hard — duo writing
Bärenreiter
- Interesting variety of movements, some double stops
- Typical Baroque bowing patterns
- Accompaniment Easy
Schott
- Good Pre-classical sonata for light and elegant tone
- Accompaniment Easy
I prefer the Schott edition piano part — Suzuki book 5 has the E minor sonata
- A minor and E minor are the best known. I like using the first in B-flat also
- The last is a little more difficult than the earlier ones
- Usual rhythmic patterns, staying through the movement, duplets/triplets/dotted rhythms
- Accompaniment Easy
Transcription published by International
- Good piece for learning shifts and smoothness
- Uses 7 positions
- Some sophistication in sound and vibrato necessary
- Not long
- Accompaniment Medium
- Easy short popular melodies in thumb on harmonic position
International
- One of the nicest Baroque sonatas
- Complicated rhythm and structure
- Accompaniment Easy
Peters
- Some thumb position
- Mostly lyrical and not too difficult
- Fairly long
- Accompaniment Hard
Delrieu
- Excellent first concerto, preparatory to Haydn
- Goes into thumb on harmonic position
- Many light and elegant bowings
- Accompaniment Medium
International — Suzuki book 8
- Virtuoso bowing techniques, also thumb position
- For students who can handle rhythm well enough to use rubato
- Accompaniment As duo
Many publications — Bärenreiter or Henle (Anna Magdalena Bach), Vandersall without bowings or fingerings
- It is appropriate to start with the suites fairly early but selectively
- Start with Gigue and Menuets, rather than Prelude
- All in 4 positions, good for training memory!
Various collections
- An exercise in sound, long bows, vibrato
- Includes thumb position
- Accompaniment Medium
International
- Includes thumb position
- Slow bows and vibrato
- Accompaniment Easy
International
- All positions
- Good lyrical playing and left hand facility necessary
- Accompaniment Difficult
International
- Includes thumb position on harmonic
- Short movements, rhythmic patterns repetitive
- Accompaniment Easy
Transcription published by International
- Good sound necessary, all positions
- Brush stroke in second movement, last movement difficult left hand patterns
- Accompaniment Easy
Bärenreiter
- Good introduction to 20th century
- Rhythmically complicated, good ear training!
- Accompaniment Difficult
Henle
- All positions, good classical training
- Good pianist essential
Delrieu
- Excellent for training high positions in elegant and light sound
- Accompaniment Medium
- Also for good elegant classical sound, all over the cello
- Accompaniment Medium
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